But it does establish that it may be well worth waiting to find out. On A&E, “ The Returned” doesn’t explain why dead people keep coming back to life.Īt the outset, “Bloodline” doesn’t even make clear if anyone has been murdered, let alone who might be missing. “ Secrets and Lies” on ABC is a new elliptical thriller about the murder of a child. “ Broadchurch” on BBC America has fudged the guilt of an accused child killer to fill a second season. Television is offering so many drawn-out series that tantalize the viewer with half-truths and partial answers. It takes a while to see it, but all of the Rayburn children have secrets and buried wounds that are hinted at in blurry flashbacks. But Danny is not the only scion with mixed motives and a murky agenda. Only his mother thinks that is likely or a good idea. ![]() At his best, Danny seems well-meaning and misunderstood at his worst, he looks a little like a middle-aged Robert Durst.ĭanny wants to come back and help out with the family business, or says he does. illustrating the magnitude and severity of his memory impairment, briefly discussing post-mortem brain ownership disagreements between the University of California at San Diego and Massachusetts Institute of Technology, presenting. His good looks are bleached out by bad behavior, and only his smile, wryly sweet but fleeting, restores his boyhood charm. The New York Times Magazine published a book excerpt on August 3, 2016, beginning with interviews with H.M. Mendelsohn (who made his name in the United States in the Australian crime drama “Animal Kingdom”) is suitably inscrutable - his character is a quicksilver manipulator who can seem benign one second and malevolent the next. “Bloodline” is cleverly constructed, but a lot of the mystery hinges on Danny. John has always protected and looked out for his older brother, but even he is worried about Danny’s behavior and prospects. Danny is a classic ne’er-do-well, a flâneur who can’t hold a job and stay out of trouble with drugs, women or the law. There’s another son, Danny (Ben Mendelsohn), the eldest, and his return after some time away almost instantly darkens the mood. Those unfold “Damages” style, in jagged, artfully sequenced fragments that withhold as much as they reveal. This first season, to be streamed in its entirety starting Friday, presents a more oblique kind of mystery, with murder only part of a larger puzzle of family resentment and suppressed grievances. But “Damages,” which began on FX in 2007, was a legal thriller. ![]() Kessler, Daniel Zelman and Glenn Kessler are the creators of “Bloodline,” and they are also the team that came up with “Damages.” That provenance is more of a giveaway than any of the clues in the first episode. The story of a prodigal son’s return is enticingly sheathed in layers of duplicity, private demons and mistrust - almost as if Pat Conroy had collaborated on a screenplay with James M. The show’s creators lie to viewers - or at least veil the truth. “Bloodline” is a sneaky, dissembling film noir account of a sneaky, dissembling family. This Netflix series isn’t a sensitive portrait of the richness of family ties. ![]() There are anniversary cookouts and multigenerational beach volleyball, and it looks awful.īut appearances, like children, can be deceiving. At first glance, “Bloodline” looks ominously like a poignant family drama: Members of a close-knit Southern clan gather at a gracious seaside retreat to celebrate their formidable but aging patriarch.
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